![]() ![]() Write coherent and logical solutions to mathematical problems. ![]() Demonstrate ability to effectively interpret and use functions of several variables including finding limits, the use of partial derivatives, and finding and analyzing critical points of these functions with and without constraints. Understand the concepts of vectors, and vector valued functions in two and three dimensions. Understand lines, curves, planes, surfaces and graphs of functions in two variables in three dimensional coordinate systems Specific topics include: vectors, dot and cross products, equations of lines and planes, polar, cylindrical and spherical coordinates, differentiation of vector functions, velocity and acceleration, arc length, parametric surfaces, functions of several variables, partial derivatives, tangent plane and linear approximations, chain rule for partial derivatives, directional derivative and gradient, max-min problems for functions of several variables, Lagrange multipliers. it will develop techniques to obtain local linear approximations of functions (of multiple variables) in order to analyze and optimize quantities. This course will extend the methods of single-variable calculus to functions of many variables, i.e. At UIC she has been a member of the Developmental Math Task Force, which is a part of the Student Success Initiative, as well as a Master Teaching Scholar for the second year of the Center for Teaching and Learning Communities. Outside of teaching she received the Best Practices University Excellence Award, and the Campus Partner Award (Student Affairs) at Northwestern. Awards during the 15-year career at Northwestern include 10 teaching awards, including the Northwestern WCAS Teaching Alumni award, the Northwestern Charles Deering McCormick University Distinguished Lecturer Award, and eight-time recipient of the ASG Honor Roll. Prior to coming to UIC and NU, she taught at Brandeis, Tufts, Wellesley and Harvard. Martina Bode was the director of calculus at Northwestern University for 15 years before accepting her position as director of calculus at UIC in the fall of 2015. Differential Calculus of Multivariable Functionsĭifferential Calculus of Multivariable Functions (230-CN-62) Instructors.There is also an excellent Calc III review sheet made by a friend of mine from the University of Connecticut, which I have also included here. The content is based on MATH 13 at Tufts University and follows closely the text of Calculus – Early Transcendentals by Briggs and Cochran.Ĭhapter 11 – Vectors and Vector-Valued Functionsġ1.1 – Vectors in the Plane, 11.2 – Vectors in Three Dimensions, 11.3 – Dot Products, 11.4 – Cross Products, 11.5 – Lines and Curves in Space, 11.6 – Calculus of Vector-Valued Functions, 11.7 – Motion in Space, and 11.8 – Length of CurvesĬhapter 12 – Functions of Several Variablesġ2.1 – Planes and Surfaces, 12.2 – Graphs and Level Curves, 12.4 – Partial Derivatives, 12.5 – The Chain Rule, 12.6 – Directional Derivatives and the Gradient, 12.7 – Tangent Planes and Linear Approximations, 12.8 – Maximum/Minimum Problems, 12.9 – Lagrange Multipliersġ3.1 – Double Integrals over Rectangular Regions, 13.2 – Double Integrals over General Regions, 13.3 – Double Integrals in Polar Coordinates, 13.4 – Triple Integrals, 13.5 – Triple Integrals in Cylindrical and Spherical Coordinatesġ4.1 – Vector Fields and Integrals, 14.2 – Line Integrals, 14.3 – Conservative FieldsĬhapter 14, Part II – Vector Calculus – Part IIġ4.4 – Green’s Theorem, 14.5 – Divergence and Curl, 14.6 – Surface Integrals, 14.7 – Stokes’ Theorem, 14.8 – Divergence Theorem The links below contain review material for an undergraduate-level course on multivariable calculus. ![]()
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When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. The songs on the soundtrack feature the instrumental tracks and backing vocals from the film versions, with Franklin's voice taking the place of the original lead vocalists. motion picture Sparkle, starring Irene Cara. Released on May 27, 1976, it is the soundtrack album for the 1976 Warner Bros. Parents say (1) See all 1 parent review Whats the Story Teenage SPARKLE ( Irene Cara) dreams of stardom, and her boyfriend Stix (Philip Michael Thomas) is determined to make it happen by creating an all-girl singing act with Sparkle and her two sisters. Jerry McCulley (Rolling Stone) Sparkle (Music From The Motion Picture) is a soundtrack album by American singer Aretha Franklin, written and produced by Curtis Mayfield. But, just as the music she had so long epitomized was evolving into rhythmic funk and nascent disco, Franklin teamed with fellow soul vet Curtis Mayfield to produce the soundtrack for this otherwise unremarkable film project, a collaboration that retrenched her successfully in the dramatic, gospel-rooted musical framework of a decade earlier." ¦ Check this track out: "Something He Can Feel," sung on the original soundtrack by Franklin (and also covered by En Vogue in 1992), has the shoo-bee-doo potential to be something you can feel."Though she'd already been hailed as the Queen of Soul for her run of sultry '60s hits for Atlantic, Aretha Franklin split her time in the '70s between explorations of her gospel roots and flirtations with the pop mainstream, often with diminishing results. While the record is adequate enough in reproducing the sound and cheerful naivet? of 1960s, the period in which the film is set, it ultimately fails to linger in one's heart, mind or feet past its last note. Sparkle Movie 1976 Music Sparkle Movie 1976 Songs Songs from the 1976 movie sparkle. Mayfield's compositions stand the test of time as the most vibrant and nuanced: Kelly doesn't deliver, and at times his contributions sound cheesy. Kelly gets in on the action by writing and producing a few funky, but too-modern sounding contributions ("Love Will," ''Jump" and "Celebrate"). Perhaps choosing a gospel tune that requires a melodious voice and a song that shares a performer who outshines her wasn't the best way to seal Houston's legacy.įour Mayfield-helmed originals make the 11-track album ("Jump," ''Hooked on Your Love," ''Something He Can Feel" and "Look Into Your Heart"), while R. Her songs here should have served as a high note for the icon, but unfortunately her swan songs - "His Eye Is on the Sparrow" and "Celebrate" with Sparks - falter as the singer struggles to find her once sparkling, soaring voice. With that said, Houston has become the focus of the film and soundtrack since she died earlier this year. She shines bright on various collaborations and her three solo tracks: It's another winning moment for the former "American Idol" champ. ![]() Sparks emerges as the leading lady of the album. The burden for greatness is shared among the main cast, which includes Whitney Houston, Jordin Sparks, Carmen Ejogo, Tika Sumpter and Cee Lo Green. Various artists, "Sparkle: Original Motion Picture Soundtrack" (RCA Records)Ĭurtis Mayfield and Aretha Franklin's union for the soundtrack of the 1976 musical drama "Sparkle" made for an instant soul classic, so the 2012 remake already has a lot to live up to. ![]() ![]() Powell told four people about Clarke’s alleged secret filming, all of whom confirmed the conversation to the Guardian. Powell says Clarke once showed her a secretly recorded video of one such audition with Jahannah James, an actor in Brotherhood. She also alleges that Clarke would brag about storing sexually explicit pictures and videos on his hard drive, including footage he told her he had secretly filmed during naked auditions. She told the Guardian that Clarke would constantly harass her, on one occasion telling her that, when he hired her, he had planned “to fuck her and fire her” before deciding to keep her on. Gina Powell worked for Clarke as a producer between September 2014 and March 2017, producing Brotherhood. Only this week, Clarke has been starring in ITV’s new flagship prime time drama, Viewpoint, airing each evening from Monday to Friday. ![]() He is on Bafta’s influential film committee and is a mentor for ITV, bringing him into contact with young, aspiring screenwriters. His company, Unstoppable Film & Television, has produced more than 10 films, in addition to Bulletproof and the Channel 5 drama The Drowning. His trio of films Kidulthood (2006), Adulthood (2008) and Brotherhood (2016) were celebrated for their portrayal of inner-city life and grossed £8.6m.Ĭlarke writes, executive produces and stars alongside Ashley Walters in Bulletproof, one of Sky’s biggest shows series 4 is in pre-production. “In light of the Guardian’s piece, which for Bafta provided for the first time detailed accounts outlining serious allegations regarding Noel Clarke’s conduct, we have immediately suspended the award and Noel Clarke’s membership of Bafta until further notice.” Prolific and influential film-makerĬlarke is one of the most prolific actors and film-makers in the UK. “We will continue to review this matter, and should any allegations be substantiated we will take appropriate action.”Īfter this article was published, Bafta updated its statement. “We encouraged the people who contacted us to report the matter to the appropriate authorities and also engaged an independent victim support expert to provide them with professional advice, and that support remains in place. “We take this matter extremely seriously,” Bafta added. Lawyers for Bafta said the charity had no duty to investigate Clarke, but, in any case, it was never given any information to enable it to do so and at no stage was it in a position where it could even begin to consider investigating. They deny their client is a serial sexual predator.īafta confirmed in a statement that, following its 29 March announcement that it planned to give Clarke the award, it received “anonymous emails and reports of allegations via intermediaries, but no evidence was provided”. In a 29-page letter, his lawyers said he categorically denies all of the other allegations, from all 20 women, in some cases questioning their credibility. Through his lawyers, Clarke categorically denied every allegation that the Guardian put to him, bar one, accepting he once made inappropriate comments about one woman, for which he later apologised, but denying the rest of her complaints. I vehemently deny any sexual misconduct or wrongdoing and intend to defend myself against these false allegations.” If anyone who has worked with me has ever felt uncomfortable or disrespected, I sincerely apologise. They variously accuse him of sexual harassment, unwanted touching or groping, sexually inappropriate behaviour and comments on set, professional misconduct, taking and sharing sexually explicit pictures and videos without consent, and bullying between 20.Ĭlarke said in a statement: “In a 20-year career, I have put inclusivity and diversity at the forefront of my work and never had a complaint made against me. The Guardian has spoken to 20 women, all of whom knew Clarke in a professional capacity. Photograph: Thomas Alexander/Rex/Shutterstock for Bafta Bafta’s decision to venerate Clarke moved numerous women to break their silence. ![]() Clarke accepting his Bafta for Outstanding British Contribution to Cinema on 10 April. ![]() ![]() ![]() But it can be real tough to keep the sights from squirrelling all over the place-especially for us small-pawed folk. If you have huge hands and/or you flat-out white-knuckle the thing… you can manage it. But in DA, a stock 92 has a small seizure when the hammer falls. In SA, a Beretta 92 is godly (a PX4 isn’t far off either). Plain and simple: The gun doesn’t _ucking move when the hammer falls. For me, it’s the clean, gentle response of the hammer falling that really sets the 3rd gens apart in terms of their DA triggers. But “weight-of-pull” isn’t the sole metric of a DA trigger’s merit. In my opinion, of course.Īnd that’s not to say that the pull weight is simply lighter-in many cases, it’s not. Smith 3rd gens have wonderful double-action triggers. And, in some ways, I feel it’s superior to its European competitors. Especially when it comes to the more practical considerations for carry and duty. Regardless of all these anecdotes and comparisons… Or a Browning Hi Power, since we’re talking service 9s. To that point, I’ve also owned a P226, and while it’s a great gun, it didn’t fit me as well as a 92 or a 5906. Which, as an aside, kind of led to me believe that-for me-Sig P2XX is a dish best served in single stack (i.e., P239s, P225s and P220s). Well, I shot circles around that P228 with the 6904. At one point, I bought a Sig P228 which I planned to replace it with-because, you know, Sig… German… Navy Seals… blah, blah. But make no mistake: S&W 3rd gens can shootīack in 2016, I used a Smith 6904 (essentially a compact, alloy-framed 5906) as my primary carry gun. It’s a surplus cop gun with long-dead night sights, so I just painted an orange dot on the front and blacked out the rears. So, you gotta pick your battles I guess.Īlso, the sights (on this one) are pretty janky. But then… it kinda grates into my gut when I carry (not that I carry it a lot). ![]() I’ve also found that adding some sandpaper tape to the sides really improves overall purchase with the Delrins puts it right up with G10 as far as traction. Long story short: With the 5906, I can’t say the accuracy is as intuitive as what I experience from the 92-but it’s not far off.įor my tastes, the straight-backed factory grips (known as “Delrin”) are the best option to optimize trigger reach and overall controllability. But, since these two guns were contemporaries, both competing in the “Wondernine” market of the late 80s/early 90s, I think it’s a relevant comparison. Having just shot and reviewed my pristine Beretta 92F, the comparisons here are inevitable. ![]() You hope your aim was right and your grip was solid. There’s that imperceptible nanosecond-between the trigger break and the hole on the target-where the gun kinda “takes over” and fleetingly leaves you out of the transaction (i.e., your “shot consciousness”). You don’t feel metaphysically connected to each shot. The requisite jolt is swift, soft and satisfying.īut it’s not “magic.” ( Maaagic… yeeeahhh!!) The trigger is right where you want it to be. I can’t say there’s anything truly exhilarating about cooking-off a shot from a 5906. I can literally hear Michael McDonald pining over his long-lost 5906… which he foolishly traded for a fast and loose Glock 19, back in 1998. This is a staid power ballad, laced with hints of yacht-rock sophistication and tasteful restraint. Stable, steady, sturdy… yeeeahhh, girrrl…īut don’t be fooled: this isn’t a heavy metal song. Because you know no amount of 9mm bullets could ever hope to fatigue this thing-or you. You wanna take it out and pound rounds through it. That concentrated center of gravity makes it feel satisfyingly planted, balanced and composed. Through the center of the frame, where it flares out to accommodate the double-stack mag, it might as well be a solid brick of metal. But to me, it has a heavier feel-and presence-in the hand. Now, the 5906 doesn’t actually weigh any more than a Government 1911 (the 5906 is 38 oz. Even if it didn’t shoot or do anything at all, it would still be an impressive piece of metallurgy to behold. I can’t imagine what it would take to machine one of these things-especially with all the intricate cuts and angled surfaces inside the frame. The satin stainless is beautifully utilitarian, exuding a cool, clean confidence tempered by classic lines and pleasing proportions. The S&W 5906 boasts an endearingly solid presence-both in the hand and on the range-that not only inspires confidence, but engenders a sense of respect, reverence and trust. Which brings us to the all-important question… What makes the S&W 5906 hipster worthy? Because, honestly, I’m not sure “they” made much of anything this flagrantly and unapologetically overbuilt-even in the good ole’ days. Wielding my tastefully patinaed 5906, made in 1995, I’m tempted to say “Man, they don’t make ‘em like this anymore.” But then I’m forced to question the logic of that idiom. ![]() ![]() Your jeans would naturally be stacked for a simple, casual look with the right combination of denim length and shoe height. Your denim requires a slim fit with extra length to establish the folds, while your shoes or boots need a rugged build with a lip to sustain the stack. Less strategy and all about choosing the right pair of jeans and shoes is the secret to piling. Stacking does not have a tuck or cuff the cloth lies on the top of the shoes and bunches into a tiny pile of folds. It can also be a fashion style or fashion statement to wear your jeans stacked. You can stack them because you don’t want to have your jeans hemmed or cuffed to better fit. Jeans are usually stacked when your jeans have excess fabric at the end. Stacked jeans can be best suited with a minimalist pair of kicks like Common Ventures, but it's also really well-suited to sneakers like Yeezys or Flyknits with a built-in sock-like look. ![]() Stacked jeans are cut extra long and tapered from the knee down to the ankle so that the excess fabric will be allowed to stack on top of itself and create the coveted stacked effect. ![]() Stacking is a look that’s been made fashion-forward by today’s music industry. 'Stacking' involves creating an even distribution of fabric below the knees. It’s a new style that you’ve probably seen on your favorite artists or friends and before you jump on the trend, here’s a guide to understanding what stacked jeans are and how you can add them to your wardrobe! Stacked jeans have become increasingly popular in the past few years. ![]() ![]() The cold vapour is then compressed by the A/C compressor. The resultant lower pressure makes the refrigerant evaporate at low temperatures. This in turn leads to a drop in pressure in the evaporator. The compressor draws in the refrigerant gas from the evaporator.
![]() ![]() ![]() Reynolds escapes by using a cigarette that emits "a mysterious gas" that renders his guards unconscious. Apprehended by Superman, Reynolds is convicted and sentenced to Sing Sing penitentiary. Reynolds' union, financed by the Ultra-Humanite, intimidates other cab drivers through violence and threats against passengers. Superman sets out to smash the so-called Cab Protective League, an underworld organization headed by a racketeer named Jackie Reynolds, which is attempting to seize control of the city's lucrative taxi trade. "-Unfortunately for mankind", proclaims the villain, "I prefer to use this great intellect for crime. His real name is never given, but he has been known as the Ultra-Humanite (Ultra, for short) ever since "a scientific experiment resulted in possessing the most agile and learned brain on Earth!" Portrayed as nearly bald in two texts and as completely bald in two others, he is a "mental giant" and the "head of a vast ring of evil enterprises" whose "fiery eyes burn with terrible hatred and sinister intelligence". ![]() His "great goal" is the "domination of the Earth". Ultra-Humanite's original body, art by Joe Shuster.Ī fiendish " mad scientist", he is paralyzed from the waist down and confined to a wheelchair. Ultra-Humanite first appeared in Action Comics #13 (June 1939) and was created by Jerry Siegel and Joe Shuster. Ultra-Humanite appeared in the third and final season of The CW network television series Stargirl. Even he claims not to remember his true name or appearance and attributes his vast intellect and mental prowess to scientific experiments of an unknown nature. The origins of the super-criminal known as the Ultra-Humanite are shrouded in mystery. The Ultra-Humanite served as Superman's nemesis until Alexei Luthor and his Silver Age counterpart Lex Luthor were introduced in the comics. He was designed to be the polar opposite of Superman while Superman is a hero with superhuman strength, Ultra-Humanite is a criminal mastermind who has a crippled body but a highly advanced intellect. He first appeared as a recurring adversary of Superman, and was among the first villains faced by him. Ultra-Humanite is a supervillain appearing in American comic books published by DC Comics. Superhuman strength, durability, and intelligence.The Ultra-Humanite in his white gorilla body as seen on the cover of Justice League of America #196 (November 1981). ![]() |
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